By Brian Boucher, Tuesday, March 17, 2015 original article here.
We all know that, as Beyoncé puts it, girls run the world. That’s arguably especially true in the art world, where many powerful and influential art advisors, auction house specialists and dealers are all women. And then there are the curators, whose exhibitions help us to reassess established figures or bring new ones to light. Curators help build museum collections, or work independently to organize biennials and triennials, and often publish in magazines and journals as part of their portfolio.
Who is the next Helen Molesworth, recently appointed at the Museum of Contemporary Art Los Angeles (see Helen Molesworth Hired as Chief Curator of LA MOCA)? Who might be the future Ann Temkin, who has headed up the department of painting and sculpture at New York’s Museum of Modern Art since succeeding John Elderfield in 2008?
Keep in mind, too, that the road to the director’s office sometimes leads through the curatorial department. The Metropolitan Museum of Art’s Thomas Campbell, MoMA’s Glenn Lowry, and the Walker Art Center’s Olga Viso all served as curators before taking the helm of their institutions. Heads of major museums tend to be lavishly compensated men, but that’s an issue for another time—see We Asked 20 Women “Is the Art World Biased?” Here’s What They Said (see also The Top 20 Art World Women of 2014 and The Most Powerful Women in Art Part One).
We polled our colleagues far and wide to come up with this roundup of 25 up-and-coming curators to watch, arranged in alphabetical order. (No such list is ever complete, so we also welcome your nominations on our Facebook page.) Maybe you’ll see them heading up a department at a museum near you?
1. Nancy Adajania, Independent Curator, Mumbai
Mumbai-based Nancy Adajania has brought her education in political science, social communications media and film to an engagement with contemporary Indian art. She was one of six curators (all women) of “Roundtable,” the ninth Gwangju Biennale in 2012, described as “an open-ended series of collaborations” and including Indian artists like Jangarh Singh Shyam and Sheba Chhachhi. She has lectured all over Europe, at venues like Documenta, in Kassel; the Zentrum für Kunst und Medientechnologie (ZKM), in Karlsruhe; and the Gulbenkian Foundation, in Lisbon.
2. Katherine Brinson, Guggenheim Museum, New York
With a museum-wide Christopher Wool retrospective under her belt, as well as Hugo Boss Prize shows of Hans-Peter Feldmann and Danh Vo, Brinson has earned her seat at the New York Guggenheim, as well as organizing shows at the museum’s Berlin and Bilbao venues. Through her work with the museum’s Young Collectors council, she also bolsters the museum’s collection of emerging artists, bringing in works by artists such as Kevin Beasley, Gerard & Kelly, Agnieszka Kurant, and Adam Pendleton.
3. Cathleen Chaffee, Albright-Knox Art Gallery, Buffalo, New York
After stints at the Yale University Art Gallery, MoMA, and the Cleveland Museum of Art, Chaffee went to Buffalo in fall 2013, replacing Heather Pesanti (see below). Her new show “Overtime: The Art of Work” (through May 17) deals with artistic conceptions of labor and includes artists from Honoré Daumier and Tehching Hsieh to influential New Yorkers Josh Kline and Agnieszka Kurant. Among those who will be the subjects of upcoming solo shows are Eija-Liisa Ahtila, Joe Bradley, Michael Rakowitz, and Erin Shirreff.
4. Rachel Cook, DiverseWorks, Houston.
Sound art is coming into its own institutionally, especially since the 2013 exhibition “Soundings: A Contemporary Score” at New York’s MoMA, and Rachel Cook is part of that wave: her recent DiverseWorks show “SonicWorks” featured artists ranging from locals The Art Guys to New York’s Christine Sun Kim and Pauline Oliveros. Since setting up shop there in 2012, Cook has organized new commissions by artists including Wu Tsang and Liz Magic Laser. She also pitched in on “The Eleventh Hour,” which highlighted presenting politically and socially engaged artists from Rick Lowe to Gorilla Girls Houston and the collective Anti-Trust.
5. Ruth Estévez, REDCAT, Los Angeles
Director-curator of visual arts at the Roy and Edna Disney/CalArts Theater (REDCAT), Bilbao-born Ruth Estevez was previously at Museum of Contemporary Art Carrillo Gil in Mexico City; while in Mexico she co-founded the nonprofit LIGA, Space for Architecture. At REDCAT, she’s worked with artists including Pablo Bronstein, Javier Tellez, and Allora & Calzadilla. Among upcoming projects are “Hotel Theory,” a group show looking at the performance of theory, and, in collaboration with The Getty Institute, a re-staging of a performance piece by the late Argentinian artist León Ferrari, who deployed sculpture and poetry as “revolutionary weapons” against war, political authority and religion.
6. Amanda de la Garza, MUAC, Mexico City
A curator at The University Museum of Contemporary Art since 2012, Amanda de la Garza Mata has organized a Bataille-inspired group show studying the foundation of the modern museum as linked to the Reign of Terror during the French Revolution; a solo devoted to avant-garde filmmaker Jonas Mekas; and, with Julio García Murillo, “Mina 8. Unidad Pasta de Conchos,” an exhibition devoted to a controversial coal mine explosion in northern Mexico. In her free time, she’s part of a collective, Illusory City, that has produced three documentary films on urban issues and helps to edit publications for Tabasco189 Editions, which illuminates links between contemporary art and literature.
7. Jarrett Gregory, Los Angeles County Museum of Art
At LACMA since 2011, Gregory organized the recent L.A. iteration of the traveling exhibition of French art star Pierre Huyghe (see Is Pierre Huyghe the World’s Most Opaque Popular Artist? Ben Davis Sizes Up His LACMA Show) as well as shows of Stanley Kubrick and Stephen Prina. In her previous post, at New York’s New Museum, she worked on acclaimed shows like the inaugural triennial, “Younger than Jesus,” and “Ostalgia,” which brought to light lesser-known Eastern European artists, and she’s contributed to magazines like The Believer and Frieze.
8. Anna Gritz, South London Gallery
In charge of film and performance at the 124-year-old nonprofit South London Gallery, Anna Gritz is cooking up exhibitions devoted to artists Kapwangi Kiwanga, who draws on academic training for research-based projects, as well as veteran comic performer Michael Smith. After earning an MA in curatorial practice at California College for the Arts, she cut her teeth at the Institute of Contemporary Arts and the Hayward Gallery, both in London, and ran programs at New York’s apexart. While writing for publications like Mousse and frieze d/e, she’s got exhibitions in the works from Ljubljana to Cologne and Southend-on-Sea, where, with Paul Clinton, she’s organizing a show about stupidity.
9. Rujeko Hockley, Brooklyn Museum
Despite being the museum’s assistant curator since just 2012, Hockley has pitched in on shows devoted to LaToya Ruby Frazier, the Bruce High Quality Foundation, and artists from the borough (“Crossing Brooklyn: Art from Bushwick, Bed-Stuy, and Beyond”), as well as the current and hotly debated Kehinde Wiley show (through May 24). She’s a veteran of the Studio Museum in Harlem and is, believe it or not, working on a UC San Diego PhD while also serving on panel discussions on Afrofuturism at the Studio Museum, young curators at the School of Visual Arts, and the prison-industrial complex at Neue House.
10. Jamillah James, UCLA Hammer Museum
Having held curatorial positions in New York at the Studio Museum in Harlem and the Queens Museum before going west to the Hammer, Jamillah James has helped to organize shows there of artists like Mark Bradford and Charles Gaines. She’s also pitching in on programming with Bradford’s nonprofit Art + Practice, which will bring art and social services to L.A.’s Leimert Park neighborhood. She told NY Arts magazine last year that she’s into pop and celebrity culture and appreciates that “it doesn’t take itself too seriously—and I think we can all gain something from that attitude.”
11. Ruba Katrib, Sculpture Center, New York
Since earning and MA in curatorial studies at the powerhouse training program at CCS Bard in New York’s Hudson Valley, Ruba Katrib has organized US museum debuts for Cory Arcangel and Claire Fontaine, both at the Museum of Contemporary Art, North Miami (see The ICA Miami Will Build a New Home). At SculptureCenter in Long Island City, New York, she’s helmed projects like the 2014 group show “Puddle, pothole, portal,” co-curated with artist Camille Henrot, and solos of Radamés “Juni” Figueroa, Jumana Manna and others. Her writing has been featured in Artforum, Kaleidoscope, and Mousse, and she’s organizing a group show with her old prof, CCS director Tom Eccles, on Governors Island this summer.
12. Naima Keith, Studio Museum in Harlem, New York
After starting out as an intern at the Studio Museum, Naima Keith returned there in in 2011 as assistant curator, fresh off a stint as curatorial fellow at L.A.’s Hammer Museum, where she assisted with the 2011-12 show “Now Dig This! Art and Black Los Angeles 1960-1980.” She’s gotten attention for shows like “The Shadows Took Shape,” looking at contemporary art through the lens of Afrofuturism, and a survey of Charles Gaines, whose works probe “the fraught relationship between a poetics of chance and a politics of radical engagement,” according to Art in America.